Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Sunday, July 08, 2012

Calgary Stampede Farriers: Potluck Forging Class Showcases the "Art" of Shoeing Horses (And Why That Matters)


People throw around the term "the art and science of farriery" a lot. What does that mean?

Professional hoofcare requires that the farrier use both sides of his or her brain. While they have to learn the anatomy of the horse and the mechanics of the job, they also have to be able to "right brain" the creation, adjustment or placement of the shoe or appliance being attached to the foot.

I think it goes even further than that, and a good farrier is separated from the pack by the ability to "see" with his or her right brain what the foot should or would look like and understand the left-brain concepts of trimming adjustment and support mechanics required to get it there.

Another aspect is the often unconscious right-brain knowing what the foot will look like in a few weeks or a few months as it grows out from the way it has been trimmed or from the effects of what is being nailed or glued on. It seems obvious that a lot of horses' problems arise not from how the horse is shod initially, but how the foot reacts to that mechanical message over time, especially if a shoe that wasn't ideal on Day One is left on too long.

So there is an "art" to it but sometimes people outside the profession don't see the art in the job, since it is invisible, unspoken and almost impossible to teach or even articulate.

You probably can't measure it, either. No judge in a competition can develop a score sheet for it and you can't design a test for it.

Until, of course, you get a group of farriers together and you hand them simple bars of steel and tell them to make something. Blacksmithing skills tell them how to make something...but what part of their profession is showing them what is inside that piece of steel, wanting to come out?

I think that the "art" side of farriery is something that horses can immediately recognize, and appreciate. Maybe some horses have never experienced it. Maybe, for other horses, it is all they have ever known and they have the soundness to prove it. Still others, the high-end competition horses, depend on the art side of farriery to come to their rescue and keep them going, often after the "science" side has failed.

Stand back: watch the art side take over a group of farriers from around the world at the 2012 Calgary Stampede World Championship. Enjoy the show.

(Note the show has 50 or so photos of the farriers and then it may keep going to other unrelated subjects posted by the Stampede. Sorry about that!)

Click here for more information

© Fran Jurga and Hoofcare Publishing; Fran Jurga's Hoof Blog is a between-issues news service for subscribers to Hoofcare and Lameness Journal. Please, no use without permission. You only need to ask. This blog may be read online at the blog page, checked via RSS feed, or received via a digest-type email (requires signup in box at top right of blog page). To subscribe to Hoofcare and Lameness (the journal), please visit the main site, www.hoofcare.com, where many educational products and media related to equine lameness and hoof science can be found. Questions or problems with this blog? Send email to blog@hoofcare.com.  


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Wednesday, August 27, 2008

A Treat for the Eyes: Unusual Painting of Forge at Night Exhibited at Yale

If you are anywhere near New Haven, Connecticut between now and Sunday, get yourself to the Center for British Art at Yale University. Inside that modern cubist block of a structure you will find this very romantic painting, "A Blacksmith Shop" by the British artist Joseph Wright of Derby, painted in 1771.

I am sorry that I didn't know sooner that the painting was going to be in the United States. It was only there briefly, and is now headed back to its home at the Walker Art Gallery of the Liverpool Museum in Liverpool, England.

If you double-click on the image I have embedded, you can see some of the fantastic detail enlarged.

Wright specialized in portrait painting but had a "thing" for painting scenes lit by candlelight or, in this case, forge light. I have admired this painting for years and would have loved to see it in person. He was a pioneer, as painters rarely sought out places like mines and blacksmith shops to paint. I imagine him painting lovely portraits of totally boring aristocrats by day, and sneaking out to paint his candlelit scenes at night.

The story of the painting is that the farriers were called out at night to shoe a traveling family's horse that needed to keep going. The painting catches the welding moment; the boy by the anvil is hiding his face from the sparks. The well-dressed fellow in the foreground is leaning on a hammer. What do you think those lads in the back with the candle are up to? The forge appears to be in the ruins of a church or something; note that the night sky can be seen through a giant rip in the wall above the hanging horseshoes. Obviously, there is a lot of mystery in this painting.

Wright put layers of gold leaf between the layers of paint to try to simulate the glimmering light cast by the hot shoe on the anvil.

Thanks to our old friend Tim Helck, formerly of Summit Tech farrier supplies in New Jersey and now with the New York Times, for bringing the exhibit to my attention. The painting appeared on the paper's web site last week to promote the exhibit.

If you're in Connecticut this week, the Yale Center for British Art is at 1080 Chapel Street, New Haven; (203) 432-2800, ycba.yale.edu.

And if you are in Liverpool, your beautiful painting will be home soon!

Thanks for not stealing this scan as it was very generously loaned by the National Museums, which was very kind of them.

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