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Land Rover Burghley Horse Trials in England.
Showing posts with label Sarah. Show all posts
Showing posts with label Sarah. Show all posts
Thursday, September 11, 2014
Tuesday, December 15, 2009
The Farrier's Portrait: No Chestnut Trees in Sight
15 December 2009 | Fran Jurga's Hoof Blog at Hoofcare.com
A friend asked me yesterday who my favorite photographer of farrier subjects was, and I couldn't answer. I've been thinking about it ever since. My friend is an aspiring photographer who wants to capture the world of farriery right down to its most intimate gestures of tongs or rasp or nipper.
I guess my answer is that I'm just incredibly curious how people take pictures of the horse's hoof and, secondarily, its attendant humans and environment. I've looked at probably millions of photos and I am just amazed when I keep seeing a point of view or a subject that I hadn't seen covered before. The possibilities are endless.
Take, for instance, this self-portrait of British farrier Gary Huston. He put the camera on the ground at the base of his hoofstand and got an ant's eye view of the horseshoer at work. His face is distorted, but that's gravity and focal length at work.
Sometimes a portrait doesn't even show the person's face. It might be straight-on shot of something you see of that person every day; it can be magic if the colors are right and the shutter speed cooperates. Daniele Voltattorni from Italy captured every move farrier Giordano Gidiucci made while shoeing his show jumper Nelson. He did a great job with this one, and some lovely metal-on-metal portraits of his Delta nails and tools as well. I thought maybe he was their ad agency in Italy! But he just likes the color and texture and light characteristics of metal. There's no one element in this photo that competes with the sparks, they all compliment the flying colors and the light on the farrier's hands. You don't need to see his face.
It's really pretty hard getting a good portrait image of a farrier. They either have caps on, or the light is bad, or you can't see their faces. The talented New York photographer Sarah Jean Condon solved that problem for farrier Kaytlin Bell by using the horse's comfy topline as a prop. All you see of her is her face, and one gloved hand. The Hoof Blog won the American Horse Publications first place award for this photo back in June. Remember this one the next time a photographer comes around (and you have a gray horse handy).
These are just a couple of shots that come to mind for me; it's all about how you look at things, and how/when/if that little crack of light sneaks in and lights things up. I think a good photographer always knows that there is a crack where some light will get in, in every good shot. That's where they start, and build the photo around the light, which might be just a speck...or the whole side of a horse.
I don't think that there could be a more interesting subject to photograph than horses' feet, farriers, veterinarians and all the barns and driveways and dark smithies and brightly lit clinics each present special challenges. When you get a really good image, you know you've earned it.
Many thanks to Gary, Daniele and Sarah for allowing their images to be shown on this blog.
PS: Farriers might be curious about the weird inner rim on Gary's shoe in the first image. I certainly was. It's not part of the shoe, it's the base of his hoofstand. He uses this plate (above) which he says is cut out to fit the size frog of most of the horses he shoes, and when the horse puts his foot on the plate, it locks in for Gary to rasp away on or clinch. Here's the plate all by itself; Gary took this photo just to explain it to me because I was a little slow to catch on to the concept.
© Fran Jurga and Hoofcare Publishing. Please, no use without permission. You only need to ask.
Fran Jurga's Hoof Blog is a between-issues news service for subscribers to Hoofcare and Lameness Journal. This blog may be read online at the blog page, checked via RSS feed, or received via a digest-type email (requires signup in box at top right of blog page).
To subscribe to Hoofcare and Lameness (the journal), please visit the main site, www.hoofcare.com, where many educational products and media related to equine lameness and hoof science can be found.
Questions or problems with this blog? Send email to blog@hoofcare.com.
A friend asked me yesterday who my favorite photographer of farrier subjects was, and I couldn't answer. I've been thinking about it ever since. My friend is an aspiring photographer who wants to capture the world of farriery right down to its most intimate gestures of tongs or rasp or nipper.
I guess my answer is that I'm just incredibly curious how people take pictures of the horse's hoof and, secondarily, its attendant humans and environment. I've looked at probably millions of photos and I am just amazed when I keep seeing a point of view or a subject that I hadn't seen covered before. The possibilities are endless.
Take, for instance, this self-portrait of British farrier Gary Huston. He put the camera on the ground at the base of his hoofstand and got an ant's eye view of the horseshoer at work. His face is distorted, but that's gravity and focal length at work.
Sometimes a portrait doesn't even show the person's face. It might be straight-on shot of something you see of that person every day; it can be magic if the colors are right and the shutter speed cooperates. Daniele Voltattorni from Italy captured every move farrier Giordano Gidiucci made while shoeing his show jumper Nelson. He did a great job with this one, and some lovely metal-on-metal portraits of his Delta nails and tools as well. I thought maybe he was their ad agency in Italy! But he just likes the color and texture and light characteristics of metal. There's no one element in this photo that competes with the sparks, they all compliment the flying colors and the light on the farrier's hands. You don't need to see his face.
It's really pretty hard getting a good portrait image of a farrier. They either have caps on, or the light is bad, or you can't see their faces. The talented New York photographer Sarah Jean Condon solved that problem for farrier Kaytlin Bell by using the horse's comfy topline as a prop. All you see of her is her face, and one gloved hand. The Hoof Blog won the American Horse Publications first place award for this photo back in June. Remember this one the next time a photographer comes around (and you have a gray horse handy).
These are just a couple of shots that come to mind for me; it's all about how you look at things, and how/when/if that little crack of light sneaks in and lights things up. I think a good photographer always knows that there is a crack where some light will get in, in every good shot. That's where they start, and build the photo around the light, which might be just a speck...or the whole side of a horse.
I don't think that there could be a more interesting subject to photograph than horses' feet, farriers, veterinarians and all the barns and driveways and dark smithies and brightly lit clinics each present special challenges. When you get a really good image, you know you've earned it.
Many thanks to Gary, Daniele and Sarah for allowing their images to be shown on this blog.
PS: Farriers might be curious about the weird inner rim on Gary's shoe in the first image. I certainly was. It's not part of the shoe, it's the base of his hoofstand. He uses this plate (above) which he says is cut out to fit the size frog of most of the horses he shoes, and when the horse puts his foot on the plate, it locks in for Gary to rasp away on or clinch. Here's the plate all by itself; Gary took this photo just to explain it to me because I was a little slow to catch on to the concept.
© Fran Jurga and Hoofcare Publishing. Please, no use without permission. You only need to ask.
Fran Jurga's Hoof Blog is a between-issues news service for subscribers to Hoofcare and Lameness Journal. This blog may be read online at the blog page, checked via RSS feed, or received via a digest-type email (requires signup in box at top right of blog page).
To subscribe to Hoofcare and Lameness (the journal), please visit the main site, www.hoofcare.com, where many educational products and media related to equine lameness and hoof science can be found.
Questions or problems with this blog? Send email to blog@hoofcare.com.
Thursday, August 13, 2009
Mine That Bird's Hooves Experience One of Saratoga's Most Famous Traditions
Saratoga is a star-studded place this summer. While the grandstand seemed a little empty this afternoon, and Broadway clears out much earlier at night than in years gone by, it's clear to see that the celebs on the backside are getting all the press and are the center of all the gossip.
When and where will Rachel run next? Is Kensai the real deal? What giant slayers is Jerkens hiding? Will Quality Road's feet hold up?
And everyone is curious about Kentucky Derby winner Mine That Bird, who pulled into town last week and set up camp. Yes, trainer Chip Woolley is still on crutches.
Mine That Bird's hooves hadn't hit the shady Saratoga dirt for long before our friend and ace photographer Sarah K. Andrew hunkered down for a hoofcare-eye view while the champ enjoyed a bath. She knew you'd want to see his feet, which are pretty long by New York racetrack fashion but he just might like them that way.
With luck, Mine That Bird will start in the Travers Stakes at Saratoga on August 29, where he would meet (potentially) Summer Bird, Quality Road, Kensai, and maybe even Rachel Alexandra, among others. Birdstone, sire of Mine That Bird and Summer Bird, won the Travers in 2004 for his owner and Saratoga resident, Mrs. Marylou Whitney.
Mine That Bird is usually shod by Mike Johnson in New Mexico.
Saratoga is famed for its naturally mineral-rich spring waters. There are springs downtown and even one in the "backyard" of the racetrack. Mineral springs helped make Saratoga one of the first resorts in America. For 150 years or more, the public has come to Saratoga to take a bath in the waters, which are believed to have therapeutic effects.
Horse races were started in the town as entertainment for the bathers; they couldn't spend all their time in the water.
Mine That Bird certainly seemed to be enjoying his bathtime, in the Saratoga tradition. In a few weeks he'll put those hooves to work and do his part to entertain and possibly enrich the modern-day bathers and betters.
Wednesday, June 10, 2009
Thursday, June 04, 2009
Zenyatta's Revealing Close-up: Secrets of the Foot That Always Crosses the Finish Line First
"Flats" are in for the front feet of racing Thoroughbreds these days and here we see evidence that champion supermare Zenyatta is playing by the rules with her flat-as-a-pancake front plates.
This revealing shot was taken back in May when The Zen of Horse Racing passed through Churchill Downs. New York area racing photographer Sarah K. Andrew (a.k.a. "Rock and Racehorses") stood in a puddle waiting for her to lift her foot so you all could see her frog and wall and plate and nails.
Zenyatta is shod by California farrier Tom Halpenny.
Thank you, Sarah and Zenyatta!
Click here to see her full-fit hind feet, also shot by a puddle-jumping Sarah.
Tuesday, December 30, 2008
Postural Sway Research for Lameness Examination May Be Relevant in the Future
by Fran Jurga and Sarah Miles | 29 December 2008 | Fran Jurga's Hoof BlogSarah Miles reports on some of the latest research being conducted at the McPhail Center for Equine Peformance at Michigan State University College of Veterinary Medicine:
While attending Equinology's gait analysis class at the McPhail Center in October, our group was privileged to attend a presentation by McPhail researcher Dr. Sandra Nauwelaerts, a Belgian biologist.
Nauwelaerts gathers up foals soon after they are born and puts them on the force plate to see how they stabilize themselves and then continues to measure this throughout their development. The resulting pattern of data is called the “stabilogram.”
She has just begun to collect her data, so her project still falls strictly into the category of hypothesis, but the potential for impact on the world of equine performance seems profound.
The stabilograms, thus far, show that foals show greater instability, or rocking, cranially to caudally as opposed to laterally, while adult horses — though clearly designed for forward motion— show more lateral sway.
While Nauwelaerts does not offer a hypothesis for this (yet!), she did make the connection between these findings and observing the stability of both lame and neuropathic horses. Thus far, stabilograms from horses with diagnosed neuropathy show a higher instability and more cranial/caudal deviation, than the stabilograms of normal horses.
Further, when blindfolds are placed on both sound and neuropathic horses, thus far, those with neuropathy show greater deviation than the sound horses. Additionally, lame horses could potentially show greater instability around the limb that they avoiding loading.
The data is still being collected, marker by marker and horse by horse at The McPhail Center, so it is premature to get excited. But for a moment there, in the glow of the gait analysis runway's infrared lights, it was possible to imagine a world where lame horses do not have to be injected with nerve blocks and run in circles, but just asked to stand quietly on a force plate to identify the compromised limb, or where horses with neuropathy can be easily and confidently identified before lengthy and expensive diagnostics are employed.
These ideas are, again, only hypotheses and have yet to be borne out by the extensive data collection and analysis that will be necessary for the research to be published.
Equinology’s next course in Biomechanics and Gait Analysis (EQ300MSU) with Dr. Hilary Clayton at The McPhail Center is Oct. 12-15 2009. An understanding of basic anatomic and veterinary vocabulary is a prerequisite for this class. Visit www.equinology.com for more information.
Hoofcare Publishing would like to thank Sarah for her work as stand-in journalist during the 2008 McPhail Equinology course.
© Fran Jurga and Hoofcare Publishing. No use without permission. You only need to ask.
Fran Jurga's Hoof Blog is a between-issues news service for subscribers to Hoofcare and Lameness Journal. This blog may be read online at the blog page, checked via RSS feed, or received via a digest-type email (requires signup in box at top right of blog page).
To subscribe to Hoofcare and Lameness (the journal), please visit the main site, www.hoofcare.com, where many educational products and media related to equine lameness and hoof science can be found.
Questions or problems with this blog? Send email to blog@hoofcare.com.
While attending Equinology's gait analysis class at the McPhail Center in October, our group was privileged to attend a presentation by McPhail researcher Dr. Sandra Nauwelaerts, a Belgian biologist.
Nauwelaerts gathers up foals soon after they are born and puts them on the force plate to see how they stabilize themselves and then continues to measure this throughout their development. The resulting pattern of data is called the “stabilogram.”
She has just begun to collect her data, so her project still falls strictly into the category of hypothesis, but the potential for impact on the world of equine performance seems profound.
The stabilograms, thus far, show that foals show greater instability, or rocking, cranially to caudally as opposed to laterally, while adult horses — though clearly designed for forward motion— show more lateral sway.
While Nauwelaerts does not offer a hypothesis for this (yet!), she did make the connection between these findings and observing the stability of both lame and neuropathic horses. Thus far, stabilograms from horses with diagnosed neuropathy show a higher instability and more cranial/caudal deviation, than the stabilograms of normal horses.
Further, when blindfolds are placed on both sound and neuropathic horses, thus far, those with neuropathy show greater deviation than the sound horses. Additionally, lame horses could potentially show greater instability around the limb that they avoiding loading.
The data is still being collected, marker by marker and horse by horse at The McPhail Center, so it is premature to get excited. But for a moment there, in the glow of the gait analysis runway's infrared lights, it was possible to imagine a world where lame horses do not have to be injected with nerve blocks and run in circles, but just asked to stand quietly on a force plate to identify the compromised limb, or where horses with neuropathy can be easily and confidently identified before lengthy and expensive diagnostics are employed.
These ideas are, again, only hypotheses and have yet to be borne out by the extensive data collection and analysis that will be necessary for the research to be published.
Equinology’s next course in Biomechanics and Gait Analysis (EQ300MSU) with Dr. Hilary Clayton at The McPhail Center is Oct. 12-15 2009. An understanding of basic anatomic and veterinary vocabulary is a prerequisite for this class. Visit www.equinology.com for more information.
Hoofcare Publishing would like to thank Sarah for her work as stand-in journalist during the 2008 McPhail Equinology course.
© Fran Jurga and Hoofcare Publishing. No use without permission. You only need to ask.
Fran Jurga's Hoof Blog is a between-issues news service for subscribers to Hoofcare and Lameness Journal. This blog may be read online at the blog page, checked via RSS feed, or received via a digest-type email (requires signup in box at top right of blog page).
To subscribe to Hoofcare and Lameness (the journal), please visit the main site, www.hoofcare.com, where many educational products and media related to equine lameness and hoof science can be found.
Questions or problems with this blog? Send email to blog@hoofcare.com.
Best of 2008: A Class Act at the McPhail Center's Equinology Gait Seminar
by Fran Jurga | 29 December 2008 | Fran Jurga's Hoof Blog
I had a wild plan and approached Dr. Hilary Clayton of Michigan State University's McPhail Center for Equine Performance with my proposal: a camp for professional at her research center, where we could learn about high-tech gait analysis and help her with a research project.
With her usual British chipper nonchalance, she replied. "Ok, come in October then. It's already in the works." The Equinology group had a course planned at the McPhail Center and it was to be open to equine professionals in search of a deeper exposure to the high-tech side of equine biomechanics.
As it turned out, I wasn't able to be there, but Sarah Miles provided a wonderful report, from which these comments are taken:
The McPhail Center, located at the College of Veterinary Medicine at Michigan State University in East Lansing, is one of the few university labs designed expressly for studying equine biomechanics. It is a fantastic facility — our classroom looked into the covered riding arena where research staff and students collect data with the horses.
When Dr. Clayton dramatically lifted the curtains on the riding arena the first day, a collective gasp of awe went up from the group. She told us that the building's vaulted ceiling design actually is borrowed from church architecture, so we really were having a religious experience, of sorts! But perhaps that explains the sense of “entering the inner sanctum” that one gets from learning from this world-renowned equine biomechanics expert and her staff and students in the lab designed just for their research.
Of course, what is really interesting about the arena is primarily along one side, where eight infrared video cameras collect data from horses lit like Christmas trees (Dr. Clayton’s words), as their anatomical markers move through the cameras’ shimmering red field of vision. It is one thing to hear Dr. Clayton describe the process of research and data collection, and another to experience it for yourself.
Dr. Narelle Stubbs, the equine physiotherapist who co-wrote Activate Your Horse’s Core with Dr. Clayton and lab manager LeeAnn Kaiser helped us to tape all the markers on the horse in the right spots. LeeAnn showed us how they calibrate the cameras, create a template, collect the data, connect the dots, and generate three-dimensional computer animation of the horse in motion. The data is also logged into spreadsheets and analyzed for the results of any given project. Dr. Clayton explained that this technology is very similar to how they created “Golem” in Lord of the Rings.
A lecture by Dr. Clayton on the function of the stifle offered her untested hypothesis (stemming from the fact that the torque on the stifle joint is in the back of the joint) that the horse’s hamstring muscles are more important in the action of the stifle than the quads. Her thinking on this was that dressage horses are asked to work as though they are “sitting.” A student with experience in ballet volunteered the ballerina's plie support system of standing on the toes while engaging the hamstrings and adductors so that the quads are more relaxed and not the sole source of support. He even demonstrated the plie for the class!
Other highlights of the course included how the force plates work, and a riding demonstration of an electronic pad placed beneath the saddle to measure the pressure it puts on the horse’s back as he performs different activities, and an afternoon spent practicing core mobilization and strengthening exercises for horses with Dr. Stubbs.
The winter edition of this Equinology course is held at Writtle College in England in January and is sold out. Equinology’s next USA course, Biomechanics and Gait Analysis (EQ300MSU), with Dr. Clayton at The McPhail Center will be held October 12-15, 2009. An understanding of basic anatomic and veterinary vocabulary is a prerequisite for this class. Visit www.equinology.com for more information.
© Fran Jurga and Hoofcare Publishing. No use without permission. You only need to ask. Fran Jurga's Hoof Blog is a between-issues news service for subscribers to Hoofcare and Lameness Journal. This blog may be read online at the blog page, checked via RSS feed, or received via a digest-type email (requires signup in box at top right of blog page). To subscribe to Hoofcare and Lameness (the journal), please visit the main site, www.hoofcare.com, where many educational products and media related to equine lameness and hoof science can be found. Questions or problems with this blog? Send email to blog@hoofcare.com.
I had a wild plan and approached Dr. Hilary Clayton of Michigan State University's McPhail Center for Equine Performance with my proposal: a camp for professional at her research center, where we could learn about high-tech gait analysis and help her with a research project.
With her usual British chipper nonchalance, she replied. "Ok, come in October then. It's already in the works." The Equinology group had a course planned at the McPhail Center and it was to be open to equine professionals in search of a deeper exposure to the high-tech side of equine biomechanics.
As it turned out, I wasn't able to be there, but Sarah Miles provided a wonderful report, from which these comments are taken:
The McPhail Center, located at the College of Veterinary Medicine at Michigan State University in East Lansing, is one of the few university labs designed expressly for studying equine biomechanics. It is a fantastic facility — our classroom looked into the covered riding arena where research staff and students collect data with the horses.
When Dr. Clayton dramatically lifted the curtains on the riding arena the first day, a collective gasp of awe went up from the group. She told us that the building's vaulted ceiling design actually is borrowed from church architecture, so we really were having a religious experience, of sorts! But perhaps that explains the sense of “entering the inner sanctum” that one gets from learning from this world-renowned equine biomechanics expert and her staff and students in the lab designed just for their research.
Of course, what is really interesting about the arena is primarily along one side, where eight infrared video cameras collect data from horses lit like Christmas trees (Dr. Clayton’s words), as their anatomical markers move through the cameras’ shimmering red field of vision. It is one thing to hear Dr. Clayton describe the process of research and data collection, and another to experience it for yourself.
Horses' joints are marked with photosensitive styrofoam balls that will light up under infrared camera exposure. (McPhail Center photo courtesy of Dr Hilary Clayton)
The end result of the gait analysis is a stick-horse animation showing the horse in motion on the computer screen. A further sophistication of this system creates a 3D rendering. (McPhail Center photo courtesy of Dr Hilary Clayton)
Dr. Narelle Stubbs, the equine physiotherapist who co-wrote Activate Your Horse’s Core with Dr. Clayton and lab manager LeeAnn Kaiser helped us to tape all the markers on the horse in the right spots. LeeAnn showed us how they calibrate the cameras, create a template, collect the data, connect the dots, and generate three-dimensional computer animation of the horse in motion. The data is also logged into spreadsheets and analyzed for the results of any given project. Dr. Clayton explained that this technology is very similar to how they created “Golem” in Lord of the Rings.
A lecture by Dr. Clayton on the function of the stifle offered her untested hypothesis (stemming from the fact that the torque on the stifle joint is in the back of the joint) that the horse’s hamstring muscles are more important in the action of the stifle than the quads. Her thinking on this was that dressage horses are asked to work as though they are “sitting.” A student with experience in ballet volunteered the ballerina's plie support system of standing on the toes while engaging the hamstrings and adductors so that the quads are more relaxed and not the sole source of support. He even demonstrated the plie for the class!
In this research project, a rider's rein tension in measured. Rein tension can be compared between riders or to understand how different bits or the components of a bridle and reins are working. (McPhail Center photo courtesy of Dr Hilary Clayton)
Other highlights of the course included how the force plates work, and a riding demonstration of an electronic pad placed beneath the saddle to measure the pressure it puts on the horse’s back as he performs different activities, and an afternoon spent practicing core mobilization and strengthening exercises for horses with Dr. Stubbs.
The winter edition of this Equinology course is held at Writtle College in England in January and is sold out. Equinology’s next USA course, Biomechanics and Gait Analysis (EQ300MSU), with Dr. Clayton at The McPhail Center will be held October 12-15, 2009. An understanding of basic anatomic and veterinary vocabulary is a prerequisite for this class. Visit www.equinology.com for more information.
© Fran Jurga and Hoofcare Publishing. No use without permission. You only need to ask. Fran Jurga's Hoof Blog is a between-issues news service for subscribers to Hoofcare and Lameness Journal. This blog may be read online at the blog page, checked via RSS feed, or received via a digest-type email (requires signup in box at top right of blog page). To subscribe to Hoofcare and Lameness (the journal), please visit the main site, www.hoofcare.com, where many educational products and media related to equine lameness and hoof science can be found. Questions or problems with this blog? Send email to blog@hoofcare.com.
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What's special about this photo is that it was taken minutes after the finish of the Kentucky Derby. My guess is that Mine That Bird's camp had not done a dress rehearsal of where to go and what to do if the horse won and would be headed to the winner's circle.
Charlie Figueroa has been Mine That Bird's groom and exercise rider throughout the Triple Crown, as well as Chip Woolley's legs while the trainer has been on crutches. Charlie normally works at the farm back in New Mexico, where he breaks and trains the young horses.
I've seen a hundred pictures of this man in the past couple of months and he's been smiling in most of them. But the smile on his face in this photo, when he's just grabbed his muddy horse out of the winner's circle to bring him back to the barn, is very special. You can almost see the lift in his walk. He's a happy man.
After all that racing has been through lately, the Triple Crown seemed to have an angel looking over it, even though Friesan Fire and Dunkirk are now out with fractures, I Want Revenge has fetlock ligament damage, and we're still waiting for Florida Derby winner Quality Road to get back to the races after recovering from his matching front and hind quarter cracks.
They've gone to the four winds: Pioneerof The Nile with his hot fit flames is back to California. Belmont winner Summer Bird is headed to Louisiana. Mine That Bird's team seems to understandably like it at Churchill Downs, where rumor has it that the Kentucky Derby Museum has asked Chip Woolley for his crutches when he's ready to walk on his own again.
The Triple Crown may be over, but in six weeks, the sun will be glowing through the fog in Saratoga at dawn, the way it always does and the way it always has. With luck, these three-year-old horses we've come to know and maybe even Preakness winner Rachel Alexandra will give the racing tribe some thrills at America's oldest track.
Charlie, his big smile, and his fast little horse would fit right in.
See you there!
Hoofcare Publishing will host a series of informal educational events in Saratoga during the race meet on Tuesday evenings. Watch this blog for more details of speakers and sponsors, or email Saratoga@hoofcare.com for more details about attending or sponsoring. The blog will come alive! Most events are held either at the Parting Pub's back room or at the National Museum of Racing's Hall of Fame.