While collecting photos of farriers during World War I, I passed over this photo several times without realizing how interesting it was. It took a magnifying glass to appreciate this one.
The sign reads, "'Kindness to animals, 500 horses lamed weekly by nails dropped on roads and horse lines by cookers carrying firewood with nails left in. Please remove nails."
As if the war horses didn't have enough to worry about with staying alive in combat and battling environmental conditions like mud and heat and lice and mange, and diseases like glanders, they had to walk across scorched earth littered with shrapnel, and sometimes even the "friendly fire" of nails dropped from wagons hauling salvaged timber to burn in the cookers.
What's a cooker, you might ask? A cooker was a horse-drawn kitchen--a sort of wood-fired stove on wheels. Here you see some Canadian troops from Newfoundland who were happy to belly up to a cooker as if it was a modern-day urban food truck.
Both these photos were provided by the Royal Library of Scotland.
Puncture wounds from shrapnel and nails are still a problem for horses and donkeys in war zones. They are also a problem for horses after natural disasters like tornadoes, earthquakes, tidal waves and hurricanes.
What's a simple way to protect hooves from puncture wounds when disaster--or war--strikes today?
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Photographers talk about the "point of infinity" in an image. There's a horizon or a focal point that draws your eye to the defined distance. Or lack of a defined distance.
This photo of farriers at work at a British horse stables in France during World War I is a study in efficiency, 1915-style. You see one man (on far left) in charge of the bellows for the little portable forge. One farrier at the anvil. And one farrier with the horse, holding the hoof up, ready for the shoe to be hot-fit.
Noticed there is a top-anvil tool lying on the ground by the first anvil, and the striker's hammer is set to go.
The question is whether the striker was also the forge cranker. That would mean he had to dance back and forth around the anvil without getting in the way.
The photo begs the question as to whether the official looking military figure at the second anvil was also keeping time.
The stables and farriers stretch to infinity. How many farriers do you think are in this photo?
This image was provided by the Royal Library of Scotland, and there is very little information available about where it was taken, other than in France during the First World War.
Can you add any information?
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It's War Horse week on The Hoof Blog. We'll start off with a short and not very sweet video of the British Army farrier encampment somewhere in India.You can see the forges and the horses lined up, and you can also notice the division of labor between the Indians and the British.
Who's pumping the bellows?
The second part of the clip demonstrates what they are calling the Lightwark Tackle System. I haven't found any other reference to this. It is similar to other systems used to desensitize a green horse and get shoes on it.
They didn't have much time, and this is how they got it done. I don't know how many horses broke their legs or necks or how many young Indians were seriously injured in the making of this film, but I know that the American Humane Association--the organization that watched over the making of War Horse and gave the film its highest rating for the welfare of the horses on the set--wouldn't have been pleased that the British even made this film, much less actually used that system.
It's just the way things were.
I hope you will enjoy the posts planned for this week and that you will go see War Horse, if you live in the United States or Australia. Go see it on a big screen and watch what's going on in the background as well as where the camera is pointed.
This film is from the archives of the War Horse: Fact or Fiction exhibit at the National Army Museum in London.
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It doesn't open in theaters until Christmas, but the television commercial is ready to roll. We all know Santa Claus is coming to town, but so is War Horse; Mr. Spielberg's epic story of what war looks like through the eyes of a horse opens on Christmas Day. Two tickets and a promise to buy the popcorn will make a great gift for anyone you know.
Back to the commercial: Hoof Blog readers will notice immediately that the horse is lame, which may 1) spur your interest in seeing the film, or 2) make you wonder how a horse trainer gets a sound horse to limp on command.
Click on the arrows at the lower right to watch the clip in full-screen mode. It's worth it.
The Hoof Blog will have much more information about War Horse as the launch approaches. the interest in the film is unearthing all sorts of information, images and film footage about hoofcare and farriers in World War I that the Hoof Blog is hoping to share.
Until then, as they say in the film: be brave!
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War Horse. Steven Spielberg. Dreamworks. Disney. Get ready to put it all together! Watch for the Disney/Dreamworks Hollywood film version of the hit London and Broadway stage play. You'll be able to see it in about six months; the tentative release date is December 28 in the United States.
The War Horse story took on another dimension today, with the release of the first trailer promoting the film version of the hit stage play.
If this trailer is any indication, it looks like Steven Spielberg's amazing directing talents easily extended themselves to showing horses in a very realistic and appealing light. And that's not easy to do!
Sure, the story of War Horse is epic, and a great one. But the horses could easily have ended up looking like stick figures, or limp two-dimensional background objects. Not every film with a great horse-related story line succeeds in showing horses both realistically and inspirationally. The Black Stallion and Phar Lap are two from the past that I think did do it well.
When they went looking for a horse to play Joey, the star horse of the film, I think they went to eventing yards. What do you think? Irish-bred? Yes, the mane is too long, you're right. But could it be that's intentional, to make the horse look like he would have during World War I? Ali Bannister would have had a hand in that. Who's she? Keep reading!
Note: for some reason, only the first minute or so of this audio file is playing. I'm sorry. The full file is playing on the Hoofcare and Lameness Facebook page (http://www.facebook.com/hoofcareandlameness); I'll try to fix this file if I can.
Take a break and listen to this BBC Radio interview with British equestrian portrait artist Ali Bannister, who literally woke up one morning to find herself and her artwork and her design talents on the set of War Horse. Ali's title was "Equine Artistic Adviser". And while there may be no Academy Award for makeup and hair styling of horses, there is no question that the authenticity of this film rests on the portrayal of the horses as looking like they would have for the time period, and for their work on English farms and in the war. Ali shares her experiences in this first of many interviews.
Here's a sample of Ali Bannister's horse portraiture; watch Theo come to life. You'll see why Spielberg chose her! You can see lots more, and commission Ali to paint your horse or dog, at http://www.alibannister.com.
This video shows scenes of the making of the film in Devon, England last year. Note: the release date is mentioned as August, but it has now been pushed back to December.
If you're new to War Horse, it's both a play and now a film-in-progress based on a best-selling children's book by Michael Morpurgo.
The synopsis, from Disney/Dreamworks Films publicity: The First World War is experienced through the journey of this horse—an odyssey of joy and sorrow, passionate friendship and high adventure. War Horse is one of the great stories of friendship and war— a successful book, it was turned into a hugely successful international theatrical hit. It now comes to screen in an epic adaptation by one of the great directors in film history.
Translation: Yes, of course. But there's more to it than that. War is too painful a subject sometimes to tell from the human perspective. People have built-in defenses in their subconscious selves, to protect them even for the time spent viewing a Spielberg film like Saving Private Ryan or Schindler's List. But when you can show how war affects an animal that has no choice in the matter, people allow themselves to feel something--about animals, about humanity, about themselves--they might not otherwise let slip.
That's War Horse, in a nutshell. You feel it slip, and you let it. It's about a horse, so it's safe to let it slip. But of course it is about much, much more than a horse.
Special thanks to Kentucky equine photographer (and friend of Hoofcare and Lameness) Wendy Uzelac Wooley of Equisport Photos and her late, great ex-racehorse Jaguar Hope, who even after his death is doing amazing things. A sketch of Jaguar Hope by Ali Bannister appears on the Dreamworks crew logo caps for the War Horse film. I highly recommend Wendy's Racehorse to Showhorse blog for anyone who wants to see great photography presented in an upbeat format. Her contributions to this blog have added a lot and there wouldn't be a Hoof Blog without the support of generous, creative, collaborative-spirited people like Wendy.
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If you're new to War Horse, this video from London explains a bit about the play and shows some scenes of the horse puppet in action.
Everyone will soon be talking about the USA Broadway premiere of London's long-running hit stage play, War Horse. I've been writing about it on this blog and everywhere else that would allow me since it launched in 2007. Now we have a chance in the USA to experience the story of Joey the plow horse sent to France in World War I.
Joey's not a real horse, of course. He's a puppet, and one of the most clever puppets you'll ever see. But a few minutes into the play, you'll completely forget that he's made of cane and cloth and that there are two people inside him.
I'm so excited to share this video with you. This TED lecture explains the origin of the puppets with the creators from South Africa's Handsprings Puppet Company.
War Horse has played to sold-out audiences in London for the past few years, and it has brought attention to the fact that a million horses died in World War I. It's an anti-war story, of course; Joey belongs to a boy who is heart-broken when his horse is sold to the British Army. He sets off to rescue his horse who is meanwhile deep into the war. What the boy finds carries quite a moving message.
In this video, you'll meet War Horse's equine choreographer, Toby Sedgwick, whose job it is to make sure that the puppet moves and "acts" like a real horse. This video also has great close-ups of the design of the feet and legs, and was also shot for the New York premiere.
Joey's movements are so life-like that I know Hoof Blog readers will want to know more about how he was built and how he works. His creators gave a TED lecture recently, which was released today, so grab a cup of coffee and invest the next 20 minutes in learning about an outside-the-box application of your knowledge of equine biomechanics.
When you go to see the play, you'll forget all about biomechanics and be absorbed into this horse's-eye-view of the world at war. You'll soon understand what all the buzz is about, and why so many creative people have given so much to make this play such an amazing experience for theater-goers. Make sure you're one of them.
If you can't make it to Manhattan, War Horse is supposed to have shows in Toronto and Los Angeles in the future. And Stephen Spielberg's Dreamworks film of War Horse will be released by Disney on December 28, but with real horses. It was filmed in Dartmoor, England last spring.
I'll see you on Broadway! War Horse opens at the Vivian Beaumont Theater at Lincoln Center on April 14, 2011.
Disclosure of Material Connection: I have not received any direct compensation for writing this post. I have no material connection to the brands, products, or services that I have mentioned, other than Hoofcare Publishing. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255: Guides Concerning the Use of Endorsements and Testimonials in Advertising.
It's the Medal of Honor of the United States of America. Sometimes called the Congressional Medal of Honor, it is the highest honor for valor in action given to a member of the US military. It was the first official medal created for US military heroes, simply because the egalitarian Americans claimed they didn't want all the pomp and ribbonry of the Europeans. Their democratic values meant that heroes of the Revolutionary War, War of 1812, Mexican-American War and other early conflicts received little individual recognition for their heroics.
You might say: they were all heroes.
But along came the Civil War, and the attitude changed. One of the individuals chosen was a somewhat anonymous horseshoer from Maryland named Samuel Porter who was a long, long way from home when he stood on the banks of the Little Wichita River in west Texas in July 1870 and faced 100 Kiowas led by Kicking Bird near what would today be Archer City and Lake Kickapoo.
Samuel Porter's grave is in Los Angeles National Cemetery in Brentwood, California, where it was photographed for Memorial Day. The plaque reads:
"Samuel Porter, Farrier, Company L, 6th U.S. Cavalry, who distinguished himself at Wichita River, Texas, on 12 July 1870 by gallantry in action. His conspicuous gallantry and intrepidity, and selflessness are in the highest traditions of military service and reflect great credit on him, his unit, and the United States Army."
Farrier Porter was born in Montgomery County, Maryland, and that seems to be about all that the US military (or anyone, presumably) knows about him. But, as of today, a lot more people know that there once was a brave farrier named Samuel Porter.
What would the New York governor's great grandfather think of glueable Yasha shoes?
New York Governor David Paterson has a lot of firsts to his credit. He took over the leadership of the state on March 17, after the resignation of then-governor Spitzer. Paterson is New York's first African-American governor and the state's first blind governor.
What we didn't know until today is that he has piles of horseshoes in his past. While presenting the Belmont Stakes trophy to trainer Nick Zito, Paterson shared his family's horseshoeing connection.
Paterson's great grandfather was horseshoer to the powerhouse breeder/owner H.P. Whitney, owner of Greentree Stud, in the years after World War I in New York. In particular, Mr. Gibbs shod a horse with the apt name of Upset. Upset would hand the great Man 'o War his only defeat, in August 1919 in the Sanford Stakes at Saratoga, with Mr. Gibbs' shoes on his hooves.
Mr. Whitney, who just happened to be one of the wealthiest people in America, rewarded his blacksmith by buying him a house in the Fort Green section of Brooklyn. He also bought homes for some other members of his stable staff.
As Paterson describes it, the new house helped lift his family to a new level of possibility in pursuit of the American dream. Without Whitney's generosity, the house wouldn't have happened. It was the house where Paterson spent his childhood. And it was a house that some very lucky horseshoes built.
Thanks to the Left at the Gate blog and other sources for help in piecing together this story from Governor Paterson's remarks.
